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A few words from Sherman Lee

The older Dillon children had come up with a scheme and it wasn't half bad. Daddy went about locating instruments for all seven children, Mother, and one son-in-law. Soprano uke, tenor guitar, banjo, dulcimer,' harmonica, bass fiddle, mandolin, violin penny whistle, and then some. Each person learned to play their respective instrument and The Dillon Family Band began. Performing at schools, churches, festivals, and events around Mississippi. But time changes things. One by one, marriages, children, college and careers took more and more time from the family band. There did, however, seem to be some diehards.

From the beginning, Anna Lee (Child No. 4) had something special. At age 10, while visiting some friends she gave her first performance. "Anna, I don't know what song you're talking about," I said. "I'll sing it for you," she said. She walked to the middle of the room while everyone else was eating and blasted all three verses a capella.

Something had begun.

Andrew John (No. 7) had some musical instinct as well. Before he could crawl he'd lie on the bed and patiently listen to me practice. It wasn't 'til I put the fiddle down and stopped playing that he'd begin to cry. His affinity for the violin has only grown.

It only makes sense that Anna Lee and Andrew would be the ones carrying on the Dillon Family Band tradition. I began by letting Anna sit in at my gigs. Before long the number one request became, "Let her sing another one. Fans then began to ask, "Is your boy coming with his fiddle?" What's a man Supposed to do? So here's "Sherman Lee Dillon and The Dillonaires."

About the music

1. Ashes Of Love (Johnny Wright, Jack Anglin, Jim Anglin, with additional lyrics by Andrew John Dillon)

When I met Ray Neyland he worked three doors down from my guitar shop answering the phone for a burglar-bar company. He used to come to our Saturday morning picking sessions. Totally unassuming, but knew everything about everything. Just a self-educated fellow marching to his own drum. How refreshing. In Ray I saw a dignity and value of people easily overlooked. I sold the store and didn't see him for 15 or 20 years, 'til he showed up at an acoustic jam I was doing. Anna Lee and Andrew came to this jam and fell in love with Ray and his way of doing Ashes of Love. He can't hear too web anymore, walks with a cane, and doesn't have a driver's license. That jam ended and I don't see Ray too much anymore. I did get an update. It seems he bought a bicycle to get around. Most older people fall and break their hips in the kitchen, bathroom or front porch. 82-year-old Ray broke his hip falling off a bike!

Ashes of love, cold as ice
You made the debt I'll pay the price
Our love is gone, there's no doubt
Ashes of love, the.flame's burnt out

The love light's gleam in your eyes
Has gone out to my surprise
We said goodbye, my heart bled
I can't revive your love that is dead.

I trusted you, our love would stand
Your every wish was my command
My heart tells me I must forget
I loved you then I love you yet.

2. Rockin' Chair (Andrew John Dillon)

My father's name was Clarence Dillon. He was an identical twin and youngest of ten. One of their older sisters was named Gliddie Jane. Her sons had long since gone and her husband Leo had been killed, but still every Sunday morning she would cook a breakfast as if they were all there. Link sausage, patty sausage, scrambled eggs, fried eggs, biscuits, grits, butter, sweet cream, chicory coffee, Blackburn syrup, Homer Fenn's locally grown cane syrup, plum jelly, and maybe some canned figs from behind her house. Clarence was practically raised by Gliddie because of the age difference.

He had a special place in his heart for her. He was there every Sunday. Whenever I got a chance I'd go over there and eat with them (some mornings on my way home from gigs I'd drop in before going to bed). It was a good chance to visit both of them. Some mornings I'd go over there and Clarence wouldn't be there. Those were some special times. One morning she had talked herself into a personal moment. She told me that her life had been good and she enjoyed raising her boys and missed her husband Leo (who had been dead over 20 years). She said "Hun' I'm glad you came by to see me. I know you've got a lot going on with those children and all, but come by and see me when you can. You know it's terrible being alone. I hate being alone."

She paused and looked down the road, "I haven't seen the person so mean, that I wouldn't rather live with them than live by myself." It's easy to take issue with a statement like that, but underneath it is a soul that had seen so much and still knew how important people are.

Rockin' Chair squeaks on the porch,
Sit here staring at the door,
Don't seem to do much anymore,
Without you.

Think of one where there was two
All the changes we've been through,
And all the things that I can't do
Without you.

Read a book and then,
Sometimes I'd write a song
Spend nights recalling all the
Things that I've done wrong
Guess somehow I'll get along
Without you.

3. Catfish Song (Sherman Lee Dillon)

In Mississippi when I was growing up a lot of people had cow ponds behind their houses. One year my third cousin Virginia talked my daddy into letting her stock our pond with catfish. For a year, she fed them special food and tried to fish some big ones out. We had all heard stories of giant catfish in the Mississippi 'River, catfish as big as a full-grown man, so we knew they were in there if we could just catch them. Lies kept getting bigger and bigger. Everyone knew they would bring home the big one.

Gonna get up gonna cut me a pole
Walk back to the pond
I'm gonna catch a catfish
They call him catfish John
Yesterday l grabbed him
But he stuck me with his fin
I jumped up and turned around
And throwed him back again

I'm gonna bring him home
I'm gonna bring him home
Get that skillet good and greasy
l'm bringin' him home
I'm gonna bring him home...

Listen to my story
You might not think it's true
Took my hook, my line, my sinker,
And broke my pole in two
Ain't gonna use no trout line
Ain't gonna use no rod and reel
I'm gonna use a hickory stick
And a line made outta steel

I'm gonna bring him home...

Morning I fish in the shallow end
In the evening I fish in the deep
l just might sit out here all night
And catch him in his sleep

I'm gonna bring him home, etc.

4. Old Gospel Ship (Traditional)

I found that "Old Gospel Ship" worked good for an opening song. I thought it was my idea. Only to get a record of Joan Baez live. To my surprise, she started her set with "Old Gospel Ship." Anna sings it, and in keeping with the Carter family tradition we just use one guitar and three voices (I sing Maybelle's part).

I have good news to bring, and that is why I sing
All my joy with you I'll share
I'm gonna take a trip in that old gospel ship
And go sailing through the air

I'm gonna take a trip in that old gospel ship
Goin 'far beyond the sky
I'm gonna shout and sing 'til the heavens ring
When I bid this world goodbye

I can hardly wait I know I won't be late
All my time I'll spend in prayer
And when that ship comes in, I'll leave this world of sin
And go sailing through the air

I'm gonna take a trip, (etc.)

If you're ashamed of me you ought not to be
And you'd better have your care
If too much fault you.find, you'll sure be left behind
When I'm sailing through the air

I'm gonna take a trip, (etc.)

5. Hard Time Blues (Jimmie Rodgers)

I never was much of a Jimmie Rodgers fan. The yodeling all sounded aike, the chord changes seemed too predictable and his rhythm was too sporadic. At least until George Fuller. He sang the old songs, mostly Jimmie Rodgers. He was a small man. He'd sit in a chair and sing at the top of his lungs. It seemed like George knew a million Jimmie Rodgers songs. One day I asked him to make me some tapes. The next week he appeared with four 90 minute cassette tapes (If I ever get time I'm going to listen to those tapes again).

Got a barrel of flour, boys I got a barrel of lard (2x)
I ain't got no blues I got chickens in my back yard.

I got corn in my crib, I got cotton growin' in my patch (2x)
That old hen's settin' I'm waiting for that hen to hatch.

I'm gonna build me a shanty, boys I'm gonna settle down (2x)
Get a house of young 'uns, stop all this runnin' around.

I'm gonna hitch up my mule, take a hold of my line (2x)
I ain't gonna be bothered with all these old hard times.

'Cause I can make more money, with my pig and plow (2x)
With my one-eyed mule, and my good old Jersey cow.

I got the hard times blues

6. Dooley (Traditional)

Dooley was a good ole man he lived below the mill
Dooley had two daughters and a forty gallon still.
One gal watched the boiler the other watched the spout
And Mama corked the the bottles when ole Dooley fetched them out.

Dooley slippin' up a holler
Dooley tryin' to make a dollar
Dooley, gimme a swaller
And I'll pay you back some day.

Dooley was a trader when into town he'd come
Sugar by the bushel and molasses by the ton.
Revenuers came for him a-slippoin' through the woods
Dooley kept behind them all and never lost his goods

Dooley slippin' up a holler, etc.

I remember very well the day old Dooley died
The women folk looked sorry and men stood round and cried
Now he's on the mountain, he lies there all alone
We sat a jug beside him and a barrel for his stone

Dooley slippin' up a holler, etc.

7. Lulu Walls (A.P. Carter)

Learning to read was such a pleasure. The written word became the door to truth. As though to read a word made the word more truthful. How convenient, if you read it and your buddy didn't, you were somehow more connected to all that is truth. No matter what experience or reason would try to tell, spoken words must always bow to written words. When I was 14, we had a Carter Family record with a song on it, titled Lulu Walls. Years later. I picked up another Carter Family record with the same song. Only trouble the song title was spelled ''Lula Walls,'' not "Lulu Walls." How could that be. Written words can not be wrong. Could it be that words written are just words written. That day I became a deconstructionist! Everything I had blindly accepted as truth because it had been written by an expert would now have to be reexamined. Could it be that Dick did not see Jane. Spot did not run. I could actually place my own experience above words on a page. Great! No, damn! No, Great! Does that mean I can no longer say it's true because I read it?!

One evening getting dark we first met at the park,
Sittin' by the fountain all alone.
I lifted up my hat and then began to chat,
I asked her if I could see her at her home.

Such a star I've never seen, she's as pretty as a queen,
Perfect as an angel from above.
If she'd only be my wife, I'd be happy all my life.
With that aggravatin' beauty Lulu Walls.

lf she was only mine I'd build a house so fine.
Around her I'd build many fences talL Could gaze upon that beauty Lulu Walls.

Such a star I've never seen, she's as pretty as a queen, etc.

One evening getting late I met her at the gate
Asked her if she'd wed me in the fall.
Nothing did she say, She just looked away,
That aggravatin' beauty Lulu Walls.

Such a star I've never seen, she's as pretty as a queen, etc.

8. Henry & Polly Sherman Lee Dillon & Louise Dillon)

Winnie was my grandmother on my mother's side. She had gotten married in the 1920s. When she was 14 years old she woke herself up one morning and got dressed for school without being told. This was normal. What was not normal is that she got dressed up in the fanciest dress she had.

"Winnie, why are you so dressed up,"

"We're having a play at school and I'm in it."

The answer worked, she wore the dress. Her mother had no idea that Winnie would be married the next time she saw her. They stayed married 50 years. That seems so long!

Sunday morn' at Calvary Church the two old folks were there
Henry and Miss Polly both no more were young and fair
Nobody seemed to notice them nobody much did care
They knew when it was preaching time the two of them'd be there

They were children when they married 50 years ago
They bought that old McWillie place they fixed it up just so
Four boys, three girls they had a great big family
The old home place was happy then beneath the willow tree

The wind blew round the willow trees the children grew so fast
Like the leaves the years blew by how quickly they went past
The children grew and married, they had children of their own
They moved away and left them there on the farm alone

Henry he was happy then with his Miss Polly near
They'd sit and rock the two of them they never had a fear
But then one cold December day a fever laid her low
Henry tried to nurse her back but how the wind did blow

Poor old Henry, won't you come in from the cold
Wandering up and down the road so lonely and so old
He's searchin' for Miss Polly he's searchin high and low
But Henry you've forgotten how that cold wind blows.

The preacher said was God's own time Miss Polly now was gone
She's on her way to heaven oh yes she was glory bound
Henry seemed to take it well he seemed to understand
They lowered her gently in the grave and took him by the hand

Now Henry's walkin' up and down that dirty dusty road
He's calling out for Polly oh Miss Polly please come home
Kinfolks say ole Henry's gone clean out of his head
Miss Polly's cold and buried he don't even know she's dead.

Poor old Henry, won't you come in from the cold, etc.

9. Airplane, Airplane (Sherman Lee Dillon)

I had met her Italian father once. We had actually sat down and eaten a meal together. Probably less than 10 words had been exchanged between us. But still I was going to fly unannounced to New England and ask him if I could marry his daughter. And oh yes, convince him that she'd be better off with me in Mississippi.

Along with the flood of obstacles, three things weighed heaviest:Problem #1: I was only 19 and she was only 18. Problem 2: He had an intense dislike of Southerners. Problem #3: He was known to have a stereotypical "fist-through-the-wall'' Italian chef's temper.

Sunday night I called the airport. One way cost $89 and round trip was $120. Estimated bank balance was $100. I bought a round trip ticket and was in the air at 7 the next morning. I'd appear to be taking the high ground, man to man, face to face.

At least that was the strategy. If by chance he threw one of his famous fits of rage, I'd be the winner by default. I had eight hours to play this through.

And what about the bounced check? Well, maybe it didn't But it probably did. Either way, the same paper that got me on that airplane had a a return flight on it!

It was about 6 p.m. when I got to the house. The Italian father worked late that day. When he arrived at 9 pm, I still remember putting my hand on that ticket when I heard his wife say, "Oh, honey! Guess who's here.''

Don't that ol' sun look good goin' down
Airplane carry me home
The little town where l started, is the same place I'm bound
Airplane carry me home.

The clothes on my back and this paper in my hand
The last worldly things that I own
But, half of this round trip ticket got me here
And the other half's enough to get me home

Airplane, Airplane carry me home
Airplane carry me home
'Got my clothes on my back and this ticket in my hand
Airplane carry me home

I've lived a life of pain since i got off that plane
I'm lucky just to be alive
So don't try to put me on no boat or no train
I board that plane again at 9:45

In a way it seems like just yesterday,
In another way it seems like a dream.
The first time I ever put my foot on a plane,
Ever hear those engines scream

Airplane, Airplane carry me home, etc.

10. Just A Closer Walk With Thee

One summer I was at Hampton Beach, New Hampshire performing. I was singing this song pretty much like it is here. When l did the last refrain, I heard a voice about half the way back singing "Just a Closer Walk, Just a Closer Walk, etc." Later that night I got to visit the gentleman.

He was in his 60s and was playing at another spot down the beach. As it turned out he was also from Mississippi. We sat in with each other when we could. After all, I knew material by Jimmy Reed, Howlin' Wolf, Bo Diddley, etc. well enough to back him up and when I'd sing old country songs he knew them. It was pretty cool.

An older black man playing music back and forth with a younger white fellow is no big deal. What was a big deal was that he said he was Robert Johnson's half brother. This was 1970 and everyone wasn't down with Robert Johnson, but he thought I'd know what that meant.

Sure enough he had a Mississippi driver's license, had grown up in the right part of the state and seemed to know everything he should know. And of course, he never ready knew his "Father." l corresponded with him a few times. His address was General Delivery. After all this time, every time I hear Andrew and Anna sing that part I wonder about old Bob Johnson.

Just a Closer Walk With Thee
Grant it Jesus, if You please
Daily walking close to Thee
Let it be, dear Lord, let it be.

I am weak, but Thou art strong,
Keep me, Jesus, from all wrong.
I'll be satisfied, just as long,
As I walk, and I walk, close to Thee.

Through this world of toils and snares
Blessed Jesus, Lord who cares,
All my burdens, He will share,
If I walk and I walk, close to thee.

Just a Closer Walk With Thee, etc.

11. Grandma's Mule (Sherman Lee Dillon, Anna Lee Dillon and Andrew John Dillon)

It was impressive to watch my Grandpa plow a mule. He would have both hands on the plow and a rein over his shoulder. Still, that mule knew just where to go.

One day when I was about 12, I asked him, "Grandpa, how do you make the mule do what you want? You don't even touch the reins."

"Oh, no! You don't pull no reins, you talk to that mule. Didn't you hear me saying 'Gee' and 'Haw'? That mule understands it. That means right and left. Next time we hook him up, I'll let you try."

Sure enough he did. It was amazing! I could bark commands to that mule and he'd do what I said!

Grandma had a riding mule, that's how she got around,
When she went to see her beau, she'd ride him into town.

Whoa, mule, whoa mule, whoa mule I say
I ain't got time to kiss you now this mule has run away.

Lookin' for a country girl, one to milk my cow,
Then I'm going to buy a mule and teach her how to p|ow.

Whoa, mule, whoa mule, whoa mule I say, etc.

I used to take a sip or two, just to ease any mind
The way this mule's fighting's got me drinkin' all !he time.

Whoa, mule, whoa mule, whoa mule I say, etc.

I sure do like those city boys, I like the cars they drive,
Why's it always country boys that want me for their bride

Whoa, mule, whoa mule, whoa mule I say, etc.

12. I Feel Like Traveling On (Wm. Hunter & James D. Vaughan)

My father attended a Primitive Baptist Church in Meadville, Mississippi. Primitive Baptists are worlds apart frond Southern Baptists. Since there is no mention of musical instruments in the New Testament, they don't have a place in the Church, so unaccompanied singing is very basic to the service. The book we use for this song is "The Old School Hymnal" and came from Pilgrim's Rest Primitive Baptist Church, where my father Clarence is buried.

My heavenly home is bright and fair,
I feel like traveling on,
No pain or death can enter there,
I feel like traveling on.

Yes l feel like traveling on,
I feel like traveling on,
My heavenly home is bright and fair,
I feel like traveling on,

Let others seek a home below,
I feel like traveling on,
Where flames devour or waves o'erflow
I feel like traveling on

The Lord has been so good to me
I feel like traveling on,
Until that blessed home I see
I feel like traveling on.

13. John Henry (Traditional)

When I first started going to fiddling contests, two songs were banned: Black Mountain Rag and John Henry. All the folk/bluegrass players in the world knew it. A few years ago, I stopped by to hear some of my friends playing in a bar. They played bluegrass and had a large song selection. I gave them a tip and they asked me what I wanted to hear.

A few weeks earlier one of my children came.home from school telling me the story of John Henry. A storyteller had been to the school. I remembered how much I liked the song and since all the folk/bluegrass players in the world knew it, I said "John Henry!"

They just looked at each other and politely played something else. God forbid that the story of John Henry be forgotten.

When John Henry was a little baby boy
Sittin' on his momma's knee.
He picked up a hammer in his little right hand, said
This hammer's gonna be the death of me Lord, Lord
This hammer's gonna be the death of me.

John Henry had a little woman.
Her name was Polly Ann.
John Henry took sick and he had to go to bed,
But Polly drove that still like a man Lord, God
Polly drove that still like a man

John Henry had a little baby,
You could hold him in the palm of your hand.
He picked up that hammer and a little piece of steel
Said Daddy was steel a drivin' man Lord, Lord
Daddy was a steel drivin' man

14. Old Man Jones (Andrew John Dillon)

Story was when l was growing up that a group of boys on the other side of Meadville had a pretty successful watermelon stealing ring. They had figured Mr. Jones was an easy target. He had a better idea. He emptied the lead shot out of his shotgun shells and loaded them with rock salt. He really didn't want to kill anyone on account of a watermelon, but the shock of a shotgun blast in the heat of the night and the enduring pain of salt penetrating the skin would sure empty out a watermelon patch in a heartbeat.

Old Man Jones lived down the road to the house that I call my own
And every day I'd his way after work on my way home
His place was ninety acres and his fields looked like a dream
From the freshest fertile farmland to a clear fresh water stream,
With 16 rows of okry and 18 more of peas
He sold 'em down the road sometimes, let nothing go for free

There was something else upon that farm that would not let me be And six feet off that dusty road they sat there staring back at me.
They were bright green some big ole things they must've weighed a ton
I sho' hope Jones won't notice If l was to take just one

Each night I'd fight my appetite and walk right past his farm
One time my mind was failing and my stomach meant no harm
So I was stealing two watermelons like I thought that they was free
Last night Jones was chasing crows but tonight he's chasing me

He chased me through the briar patch and way beyond his land
Screaming curses and spitting fire with a shotgun in his hand
I called to God for mercy and I hoped he heard me pray
Because dropped them melons miles ago and still I got away

Thank God his shot was awful on account of his glass eye
I knowed that I had showed my ass but l wasn't prepared to die
I still can't believe how fast he ran upon that ole bum knee
Last night Jones was chasing crows but tonight he's chasing me

He chased me through the briar patch and way beyond his land
Screaming curses and spitting fire with a shotgun in his hand
I called to God for mercy and I hoped he heard me pray
Cuz l ran for ten mo'' miles and I somehow got away

I seemed to take to this running thing and I didn't mind that at all
Every great man has his destiny and cross country was my call
So now I run miles daily and I've never felt so free
But I never will forget the night when Jones was chasing me

He chased me through the briar patch and way beyond his land
Screaming curses and spitting fire with a shotgun in his hand
I called to God for mercy and I hoped he heard me pray
Cuz l ran for ten mo' miles and I'm still alive today

15. The Rising Sun (Traditional, add'l words by Anna Lee Dillon)

So many executives (usually men) get to dress up, put on cologne, and pretend to be taking care of the world as though they had given it life. Meanwhile, women often struggle to care for children, check in on parents, pick up after men, and keep the world going and receive such contempt for taking care of the world they have given life to. Domestic abuse, disproportionate poverty, beauty standards, unequal pay, inappropriate sexual expectations, emotional abandonment, limited resources, and other unreasonable demands of society are only a few of the demons many women must fight. These are demons that take away self respect, hope, the joy of life and replace them with fear, depression, self-imposed guilt and desperation. Sometimes they are so strong that it's all our sisters can do to survive.

There is a house in New Orleans, they call the Rising Sun
It's been the ruin of many a poor girl and God l know I'm one

When I was a girl, my grandma said, "You watch them sweet-talkin' men.
They'll walk you down that dusty road and you won't get home again."

Bobby Saucier was a godly man, he thought the world of me,
I don't know why I left that boy for this life of misery.

Momma married a dirty ol' man, he would not let me be,
Sugar and spice and everything nice, that bastard stole from me.

At 12 1 was drinking moonshine, and then it was cocaine
And now I'm bound for New Orleans to wear that ball and chain

I'm sorry for my sins, oh God, sorry I went astray,
I'm sorry most for the tears Momma cried when they came and hauled me away.

Engineer blow your whistle, my race is almost run,
I'm going to spend my dying days in the house of the Rising Sun I'm going to spend my dying days in the house of the Rising Sun

16. Farther Along (Traditional)

I was almost grown before I heard the story about Mrs Will's wife. The way I heard it was this:

It was early one morning and Mr. Will was walking out the door to·go hunting. He walked down the steps and across the yard. About the time he got to the gate, his wife waved from the porch. When he turned to wave back, the shotgun went off and shot her. I don't remember the gate, but I remember the porch where she was standing. They say if I had looked I would be able to see an imprint of her body where some of the shot missed her and hit the wall.

All the neighbors were called and a doctor. Everyone stayed as she lay on the bed the rest of the day and died that night. Mr. Will and his children must have asked the obvious question thousands of time. I guess most of them understand it now and the few survivors will understand it all by and by. That doesn't wipe away the tears or the pain.

Tempted and tried, Lord, we're oft made to wonder
Why it should be thus a|l the day long
While there are others living about us
Never molested 'though in the wrong.

Farther along we'll know all about it
Farther along we'll understand why
Cheer up my brother live in the sunshine
We'll understand it all by and by.

When death has come and taken our loved ones
It leaves our homes so lonely and drear
Then do we wonder why others prosper
Living so wicked year after year

Farther along we'll know all about it, etc.

Tracks & Times

1. Ashes Of Love 3:20
2. Rockin' Chair 2:56
3. Catfish Song 2:55
4. Old Gospel Ship 2:57
5. Hard Times Blues 1:53
6. Dooley 2:07
7. Lulu Walls 2:56
8. Henry & Polly 3:15
9. Airplane, Airplane 2:59
10. Just A Closer Walk With Thee 3:28
11. Grandma's Mule 2:10
12. I Feel Like Traveling On 1:56
13. John Henry 2:08
14. Old Man Jones 2:36
15. The Rising Sun 2:58
16. Farther Along 4:22

Total playing time: 45:41

Credits

Recorded at Terminal Studios, Jackson, MS
Recording Engineer: Randy Everett
Mastering: Rob Pemberton, RPC Audio, Fairhaven, MA
Graphics design: Lori Bates, Bates Graphics, Newport, RI
Photography: Wade E. Thornhill III, Justin Webb, & Jacolin Martin
Liner Notes: Sherman Lee Dillon
Executive Producer: Jack Radcliffe
Copyright 2008, Wepecket Island Records, Inc. All rights reserved. Duplication of this CD or any part thereof without prior written approval is illegal – and takes money out of the pockets of the musicians who made it.

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© Copyright 2003-, Wepecket Island Records, Inc. All rights reserved.

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